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Comment cards completed by visitors to the exhibition can be found in Accessionĩ6-036. Interior of new museum's new annex, showing Enola Gay (R. The Smithsonian and the Enola Gay- NOT controversy Smithsonian SINCE to been 1855 equal riven that has by pre- the a Smithsonian been riven by a controversy to equal that pre- cipitated by the proposed Enola Gay exhibit. Some photographs and exhibition drawings are also included. Exterior of Smithsonian National Air and Space Museum annex, Chantilly, Virginia2. There is a great deal of correspondence with In the 1990s, the Smithsonian Institutions National Air and Space Museum laid. Also includedĪre many scripts under the original title of the exhibition, The Last Act: The Atomic Bomb and the end of World War II. Fifty years after Hiroshima, the airplane flew into controversy of a. 1 Fifty years later with the commemoration of the end of World War II, this highly emotive. The controversy surrounding the Enola Gay exhibit stems from disagreements between the Smithsonian, historians, members of Congress, veterans, and those who. Of the Director of the Museum, Martin Harwit the Department of Aeronautics the curator, Michael Neufeld and the Exhibit Project Coordinator, Victor Govier. The Enola Gay controversy that erupted in 1994 1995 with the planned exhibition by the Smithsonian’s National Air and Space Museum of the airplane that dropped the first atomic bomb on Hiroshima, had its beginnings on 6th August 1945. Object Details See more items in Enola Gay Exhibition Records Identifier Accession 96-140 Descriptive Entry This accession consists of a collection of files documenting the Enola Gay exhibition and aspects of the controversy which followed. It was originally delivered a few weeks after the OAH meeting to a conference held, with. exhibitions has become a political battleground.
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Eliot Elisofon Photographic Archives, African Art The restored forward fuselage of the B-29 Enola Gay as it now appears in the Smithsonians National Air and Space Museum. This is a collection of essays on various aspects of the controversy surrounding the 1995 Smithsonian Enola Gay exhibit.